Sukihana Snippet from "Macaroni Sounds": Section 2 of White Supremacy on Its Deathbed (ROUND 2)
Let's workshop a paragraph from section 2 of White Supremacy on its Deathbed, a paragraph that depicts civil-rights activist C. Delores Tucker getting beatdown and raped by Sukihana and Uruk-Hai crew
Excerpt from “Macaroni Sounds”: Section 2 of White Supremacy on Its Deathbed
[White supremacy on its deathbed] could just sit back and revel in our world where it is easy to imagine black-activist C. Delores Tucker, along with a cadre of historical heroines she has invoked in her crusade against the hyperviolent and hypersexual and hyperdruggie lyrics of mainstream rap (Sojourner Truth, Harriet Tubman, Fannie Lou Hamer, Mary McLeod Bethune), bathed in sunlight streaming through the stained glass of a church, heads bowed in silent prayer that black people be released from this hypnotic blight, until suddenly a Botox gang of hair-hatted Uruk-Hai (Sexxy Red, Sukihana, Flo Milli, Erica Banks, Cardi B) kick through the sanctuary door chanting Sukihana lines in their orc tongue (“We ain't got no morals, we some fuckin' hoes. . . . Gotta deepthroat I need a BBC/ Go retarded on the dick I got ADD”), ultimately silencing the screams of these civil-rights leaders with gag balls (Kool-Aid red, Kool-Aid green, like their hair) and rifling through their purses for Percocet money and tearing off their clothes for the sake of sucking them and pegging them to nonconsensual orgasm (“These old bitches be likin’ it and shit”)—several of the lewd cohort, Sexxy Red with the greatest distance and Sukihana with the worst stench, squirting on the naked matriarchs for Cardio B and Erica Banks iPhones held high with ridiculous fingernails (no less ghoulish in spite of the bright colors), squirting and squirting (Sukihana “inadvertently” pooping a bit, as if this were childbirth) only to cackle and sing the most tormenting of Sukihana’s anti-family lines (“I'm faithful to a nigga that's married / Steal niggas, I'm the Grinch, Jim Carrey / I wanna choke right now / Put the dick in my throat right now . . . . We ain't got no morals, we some fuckin' hoes. . . . I don't want a pastor, I want a drug dealer / I like a real nigga, real killer. . . . I'ma fuck your baby daddy and I'ma fuck him again / I'ma suck his dick, without no hands / Spend his bread then fuck yo' man / You heard what I said, what the fuck I said / I'll beat yo' ass then fuck yo' man. . . . I take yo' nigga, put this pussy on his tongue / Deep-throatin' dick, I got cum all in my lungs”) all, yes, in mockery of Mrs. Tucker’s 1993 speech on the anti-black nature of mainstream rap, which Flo Milli has playing from YouTube in the background to heighten the demonism of the orgy:
Enough is enough. . . . I am here to put the nation on notice that violence perpetrated against women through the music industry in the forms of “gangsta rap” and misogynist lyrics will not be tolerated any longer! Principle must come before profit. . . . [We must stop] continuously exposing our youth to negative media that distorts their images of male-female relationships, that undermines the stability of our families communities and nation by encouraging violence abuse and sexism as acceptable behaviors and perpetuates the cycle of low self-esteem. . . Images that degrade our dignity and are an insult to our children, our families and communities, concern us too—and that includes all this gangster rap and misogynist lyrics: music that glorifies and promotes violence with guns knives or drugs and denigrates and defames women. And with a release of Snoop Doggy Dogg’s debut albumDoggy Stylethat includes “artwork” that is nothing but pornographic smut available to any child to go in and buy with the album and with a record—that has got to stop. You want to know why I'm on the warpath? When I saw this, I said “that's it: we march again!” And we’re gonna keep on marching!Long hair, pretty face with a fat ol' ass / Make him eat my pussy with no strings attached / Chanel purse, with the pumps to match / I like fucking drug dealers that move that crack / First petty on my toes, I'm a freak ass hoe / Fuck him in the back seat I need a Maybach so / I'm a rich ghetto hoe, I do not fly coach / First class pussy bitch I'm a manola hoe / Can't wear Vicky Secrets, with all this coochie I got on me / Pussy falling off the bone but he won't come on / Cause imma ride his face till he sleep / Bitch imma, creep, creep like TLC / Put this ass in yo face like a BLT / Gotta, deepthroat, I need a BBC / Go retarded on the dick I got ADD / Suki-hanay, Choki-hanay / Good pussy, lotta kids like Beyoncè / Might fuck him for a chain, Eliante / Put this head on him turn him to a Kanye / We fuckin' niggas, in Paris / I can see the dick through the Ameris / I'm faithful to a nigga that's married / Steal niggas, I'm the Grinch, Jim Carrey / I wanna choke right now / Put the dick in my throat right now
For four-hundred years profit came before principle, as black women bore the brunt of slave masters degradation. But even through the middle passage, the peculiar institution of slavery, the spirit of black women and their families could not be broken. Today, however, through the lyrics of rappers who display no respect for women, no respect for families, and little respect for themselves, the souls of our sisters are being destroyed and so too their progeny. All of us have watched as the industry has grown. We have watched not really knowing, not really understanding, not first realizing the damage that is inherent in what some thought were merely words. Now we see the direct and indirect effects. We see the rise in murders, in abuse, in batteries—teen prostitution and teen suicide. We hear the wailing mothers, the grieving sisters, the tormented brothers and fathers and children planning their own funerals. . . . We feel their hopelessness and helplessness and we embrace their pain. . . . As I see it there arethreethings wrong with gangsta rap and misogynist lyrics: it isobscene, it isobscene, it isobscene. . . . If the filth that is portrayed in these gangster rap videos and art is not obscene, then I submit thatnothingis obscene. . . .My rent due, nigga, let me suck on it (Let me suck on it) / Put that dick in my throat, I wanna lick on it (I wanna lick on it) / Pussy nigga, throw them bands on a trill bitch (On a trill bitch) / Big dick in my stomach, I wanna feel it (Yeah) / Bitch, I eat the cock like a Hot Pocket (A Hot Pocket) / Dance on that dick, pop, lock, and drop it (Pop, lock, and drop it) / Before a nigga fuck, I need a big deposit / Bring that dick in my cat, I want it wildin' out / And eat my pussy like filet mignon (Motherfuckin' cat, nigga) / I don't give a fuck about your baby mom (Fuck that pussy ass ho)/ Yeah, I'm the bitch they be hatin' on / Yeah, your man be buyin' me that Saint Laurent / Spend it on a bitch (Bitch) / Yeah, I told her y'all trick (Trick) / Yeah, we suckin' dick, he gon' bust all on my tits / We ain't got no morals, we some fuckin' hoes / Put a nigga dick all between my toes / Bitch, you know the gang, you know how it go (You know how it go) / I don't eat no Wendys, ain't no 4 for $4 (Ain't no 4 for $4) / Pussy nigga, take me to the Poconos / And let me sit the pussy on your fuckin' nose / (Let me sit this motherfuckin' pussy on your motherfuckin' face)
African American women have always been the protected nurturers of their homes, their families, and their communities. We marched for our rights to Selma (I was there with Dr. King), were beaten with Billy clubs, and were bitten with dogs unleashed by bull collars. We did not tolerate injustice and insults from our worst enemies then, and we sure ain't gonna accept insults from our youth now!Listen, mama, I don't want a pastor, I want a drug dealer (Drug dealer) / I like a real nigga, real killer, big stepper / He eat the pussy, cut the checks, make me feel better / He eat that thing like a dog, get it real wetter / Thug nigga, drug dealer, big guns (Big guns) / Ghetto ass pussy, whole lotta fun (Whole lotta fun) / Standin' bow-legged, suckin' on my thumb / I heard you got that bag, nigga, let me hold some / I like a big dick gangster that move that white (Move that white) / He can get the pussy and the head all night (Head all night) / Give me what I want, I ain't asking twice / Drop a bag on whatever, he don't ask the price / It's that good dick that got a bitch acting right / I let them other niggas go, I had to sacrifice / My friend said, "Let him go," fuck that advice / It's for now and forever and the afterlife
Although the MPCPW condemns the actions of those young people who produce such music, we also realize that we must provide other channels for them to use these multiple talents they have in a positive and wholesome way. After all, they are not the root causes of the complex socio-economic forces that are manifested in such vile entertainment. Those problems were there long before many of them were born. Those problems must be addressed if the communities that produced those gangster rappers are to survive and thrive. . . . First of all we must use all means possible to eradicate and ban the sale of illegal guns. We must remove guns from the hands of our children and our “gangsters” who are so proud of the power of the gun. That's number one. Number two: we must reinvent our educational system to include more vocational training to provide a successful transition between school and work for those who will not continue to go on to college. We must extend the school hours in the school year so that latchkey-children teachers will be from their schools instead of from the street. We must provide educational opportunities for our prisoners so that they will be productive citizens when their tour of prison is over. . . . We must provide community outreach so that our youth who have embraced the gangs as their only family will find refuge in community institutions neighborhood academies and educational programs. Convert our unused military bases into institutions of peace where men and women can be trained to become productive citizens who will contribute to the well-being of this nation, expand our nation's infrastructure where needed, and make this nation of powerful global force.I'm 5 foot but my throat 6'6" / I'm a ratchet bitch, suck a mean dick / You mad 'cause your pussy ain't fat like this / And your man eat the pussy like chicken nuggets / I'ma suck his dick for some red bottoms / I'm a real hoe, bitch, I don't spit I swallow / And I only fuck with plugs, lil' bitch I'm shallow / Put that pussy on the plug is the fuckin' motto / Pussy so fat you could see it from the back / I'm a west side hoe, everybody know that / I fuck with the boosters and bitches that sell they stamps / And bitches that sell they pussy with they legs on a ramp / Put money on his books when my man in the pin / I'ma fuck your baby daddy and I'ma fuck him again /I'ma suck his dick, without no hands / Spend his bread then fuck yo' man / You heard what I said, what the fuck I said / I'll beat yo' ass then fuck yo' man / You heard what I said, what the fuck I said / I'll beat yo' ass then fuck yo' man / I need a hood ass nigga with' a long ass pipe / And I'ma lick that dick like a Mike and Ike / 'Cause I'm a project chick / A freak hoe chick / A hood rat chick, I suck the skin off that dick / I got a fat ass pussy like a cameltoe / And I'ma ride that dick like an animal / I suck more dick than Anna Nicole / Suck dick if I'm rich, suck dick if I'm broke / And I'ma bust it wide open til' you see that pussy print / I bet yo' baby daddy gon' pay my rent / You heard what I said, what the fuck I said / And I'll beat yo' ass then fuck yo' man
I stand before you today with millions of my sisters to say that no one has the right to degrade denigrate dishonor our disrespectful African-American women. No one has a right to poison our children's mind and destroy our African cultural heritage. That is why the women of MPCPW and our supporters will demonstrate, will go to jail again and again and again—just as we did when we demonstrated at the Wiz in December and Sam Goody yesterday. No one and no industry will be allowed to continue this social and psychological genocide of the women and girls of this nation. I stand before you today with the spirits of Sojourner Truth Harriet Tubman Fannie Lou Hamer and Mary McLeod Bethune to say this: we will defy any force that will disrespect us and our families.I take yo' nigga, put this pussy on his tongue (On his tongue)/ Deep-throatin' dick, I got cum all in my lungs (In my lungs) / And you know he chew this ass, don't be dumb (Don't be dumb) / I got niggas tryna pay to eat this pussy out my thong (Yeah) / Dick all in my booty hole, I finna get my ass bleached / I don't want yo' kids, nigga, put 'em on my ass cheeks (Yeah) / 'Cause I'm triflin', 40 Glock on my nightstand / Roll up his backwood before he put that pipe in (Fuck me nigga) / Bitch, I'm bustin' juggs in a Hellcat (Skrrt) / In the backseat, gettin' fucked from the back (From the back) / Don't be scared, nigga, you know I got that good cat (Know I got that good cat) / You better break a bitch off, Kit-Kat (Kit-Kat) / I just want a big dick in my esophagus (Esophagus) / These niggas love me 'cause I'm pretty and I'm chocolate (And I'm chocolate) / He just popped a Perc' 30, got that perky dick / And my rent due, bitch, you know I'm takin' dick / I'm hot in the 'tel ('Tel) and I'm sellin' 'tel ('Tel) / Bitch, I'm drunk as hell (Hell), where is the rotel ('Tel) dip? / I need some rotel dick (I need some motherfuckin' rotel dick) / Bitch, you know I'm strapped with a stick (Doo-doo-doo) / Every Glock I got got a switch (Grrah, grrah) / Bitch, stop the car, I gotta piss (I gotta piss, ho) / He just ate my ass, he wanna switch (He wanna switch) / Now I'm eatin' his ass / Eatin' his ass, eatin' a nigga ass / Eatin' a nigga ass, we be eatin' niggas ass.
