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M. A. Istvan Jr.'s avatar

“Mary’s Hairbrush Handle” is a volatile, taboo-shredding prose-poem that uses the most iconic consent story in the Christian canon — the Annunciation — to probe the hypocrisy and blind spots in how we treat sexual maturity today. Its core provocation is simple yet disorienting: if we recoil in moral outrage at the idea that a twelve-year-old Mary could have given real consent — to her betrothal to Joseph, let alone to becoming the literal “slave” (doulos) of an omnipotent God — then we must also reckon with what that standard implies about our own cultural assumptions that a modern teenager, or even a young adult, is automatically mature enough to handle complex, power-laden sexual dynamics.

The poem’s unsettling power comes from its fusion of biblical philology (“doulos,” not servant but owned chattel) with kink discourse (“DDLG,” “consensual non-consent”). By forcing the reader to look directly at the raw power asymmetry — a powerless young girl submitting to an all-powerful, all-knowing being — it exposes how fragile the idea of “informed consent” can be when the imbalance is that extreme. The piece plays with the reader’s discomfort: is this a disturbing metaphor for divine devotion, or an unspoken spiritual erotica hidden in plain sight? Either way, it shows how both atheists and apologists circle the same unease, yet rarely follow its logic to the real-world parallel.

The poem’s savage humor is its weapon. In one breath it imagines Luke, the Gospel writer, “getting a little plethysmograph-throbbing titillation spelling out the DDLG-BDSM terms of Mary’s relationship with God.” In the next, it ridicules how the pious hand-wave away the moral problem: if God is all-good, then any worry about exploitation must, by definition, be wrong — “any evidence our lying eyes ever thought we received… would simply have to be recategorized as a good thing.” This dark parody of theodicy sets up the bigger point: if we can’t trust a girl to freely consent to her entire self becoming a divine womb, how can we so blithely assume that modern young people, immersed in a hyper-sexualized, infantilizing culture, are ready to navigate complex sexual relationships?

The piece’s social commentary bites hardest when it contrasts Mary’s ancient context with today’s extended adolescence. The text spares no illusions about life in first-century Galilee: “grinding grain, pulling buckets of well water, tending livestock, mending clothes” — backbreaking domestic labor that forced girls into real, survival-driven adulthood before they ever menstruated. A twelve-year-old in that world, the poem argues, bore the kind of physical, emotional, and intellectual responsibilities that most 25-year-olds in developed nations today are only beginning to glimpse — if they ever do at all.

Against this, the poem lays out the modern bubble: constant digital dopamine, overprotective “snowplowing” parents, the flattening effects of a culture that encourages perpetual self-regard and excuses for stunted growth. It lampoons the way contemporary “infancy bubbles” keep young people in a perpetual state of emotional immaturity, coddled from real-world pushback or self-denial. As the poem acidly observes, “the merest bit of boredom or delay in gratification feels… like the end of the world.” The argument is not that we should lower the bar for what counts as sexual maturity — but rather that if we accept the logic that Mary could not have meaningfully consented at twelve, we must question whether many legal adults today, in a culture that delays maturity, truly meet that threshold either.

In the end, “Mary’s Hairbrush Handle” flips a familiar polemic inside out. It doesn’t excuse child marriage or divine impregnation; it doesn’t wink at the power imbalance as something to be fetishized in real life. Instead, it asks: if we find the Annunciation intolerable because a girl that young could never rationally grasp what she was agreeing to, then why do we assume a modern eighteen-year-old — often coddled, distracted, lacking self-reliance — automatically can? The poem’s final implication is radical but logically consistent: perhaps a society serious about meaningful consent should be more willing to question whether the legal age of consent — and the broader markers of adulthood — are set far too low for the actual maturity we see in practice.

Beneath the wild imagery, the pornographic kink comparisons, and the irreverent scriptural mockery lies an uncomfortably moral question: if real consent requires true agency, wisdom, and self-sufficiency, the bar should be higher than the easy lines we draw on paper — even if that means that today’s “adults” might not qualify so quickly.

transgressive poetry, age of consent, Mary, doulos, Annunciation, power asymmetry, informed consent, coming-of-age, cultural infantilization, kink discourse, DDLG, consensual non-consent, biblical critique, religious satire, theodicy, sexual ethics, maturity threshold, youth culture, extended adolescence.

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