MADE FOR YOU AND ME 1: hive Being (Stanzas 2016—part 15)
Let's workshop this stanza sequence, which includes the doll of a Wampanoag child, hangings, banning geniuses merely because a "problematic" nobody likes them, new fathers, Arthurian lore, pain meds
made for you and me thoughts turning hair grey straight-razor tucked in the bra what is left in the fridge after death breasts that can be thrown over shoulder furrows cross the grain of the deejay’s corduroys workdays spent building with packets of sweetener driving around all day getting pain prescriptions filled those for whom the smaller the talk the better the buoy rattrap testicles imitating drunkenness while drunk— droop-eyed slurs of belligerence, say— to show friends you are good to drive the relief of now being able to cut from your reading list, in feel-good superciliousness, any “dead white male” who uses—indeed, even just quotes—the word “nigger” he has served as a Lancelot to a Guinevere (intimate lover, protector) and as an Arthur to a Guinevere (status-grantor, fathering guide), but now he is a Merlin (knight and king in one man of magic) a boy pieces his mother together from traces: scent fading on clothing; voice cut short on the answering machine (“don’t leave a messa—”); stories from those who knew her an audible crack as the tailbone fractures in childbirth not wanting to admit, even to yourself, your hope only to die in your sleep already casual explanations more shaded than before— unexpected side orders those sentenced to be hung forced in the meantime to carry out hangings as trans people become more accepted, expect the number of female perpetrators of violent rape to skyrocket (like female track-and-field records) how romantic would it be if, in perhaps some spacefaring near future, indigenous living skills preserved in marginal pockets end up saving us from the implications of the rapaciousness that so shrank the indigenous! if to have a title on a poem is to treat the reader as dumb, where should the cutting stop? a self-help book for how to open up to self-help books his blank face, as he bottles the infant in his arms, speaks of submission to his fate bodily deformities (goiters, humps, lop-shoulders) taken as signs of evil character waterways of yellow fury run over bridges, but evacuees first load their cars to the limit we are on the cusp of a dark day where we will ban even a genius from millennia past (Aristotle, say) merely because someone “problematic” likes him arms-out entries from high cliffs: water-bruising painters who seem apprenticed on separate planets the more predators the better our vision, typically a mother’s bra— booby traps for the three year old avoiding each other’s eyes to deny the threat we have been denying if you are smug enough to cut from your reading list all masterpieces that include “problematic” words— well, there was little hope they could have saved you stealing jewelry from your doddering grandma asking if you were a good father in hope that, even if unspeakables come to mind, the child will give the decorous response the wasted look from hunger helps for pretending to be a child when asylum decisions are made shooting your own leg for a name the eyes of a friend from whom you have been long separated reveal how bad you have slipped mere fleshbots, what aggressions would be left if we push aside those rooted in withdrawal: withdrawal from drugs, food, water, oxygen? “African Pride” brand hair relaxer intercontinental ballistic missiles the down syndrome head between your hands to force eye contact, you speak its full name as if to connect with some captive inside phlegm released into dusty dirt— squid, silky flour the due dad hopes for a boy so that no lust may awaken the Wampanoag child who lost her cornhusk doll in what became Wal-Mart passing things down being such a primal joy, no wonder the insane lengths gone by parents of those who accept only the host culture not dying even though you were pulled from the rest home to your daughter’s family only because you were supposed to die
This is a portion of an ongoing mosaic poem called Made for You and Me. This portion is from the first installment: hive Being (Stanzas 2016-2020). More specifically, it is from the 2016 portion of that five-part work.
Photos from some films I grew up with: (1) Excalibur imgflip.com/meme/73972160/Merlin-from-Excalibur and (2) First Knight nerdist.com/article/arthurian-legend-movies-myth-green-knight/