Let’s workshop this poem about a painter who becomes so captivated by a sidewalk subject that he cannot help but disobey his usual clinical approach (and, as the mace hints, even the laws of the land)
Expat Painter in Prague
He took her without consent,
giggling below his balcony—
but unlike with other girls
in that café seat, his oil strokes
(palpating lost unclinicality)
proved too feral to siphon
details from new sitters (even
a pink fob of mace, electric
against weathered cobble).
“We need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us.”—Kafka (against the safe-space cancel culture pushed by anti-art bullies, left and right)